1917 Review

      A technically brilliant juxtaposition of sweeping beauty and the raw horror of warfare. Sam Mendes brings a new flick to the forefront of Oscar discussion. I am usually skeptical of directors who are intent on providing a technically eccentric medium for their flick. Depending on the budget, it can be difficult to excel in a new format without detracting from the integrity of a personal story or neglecting a compelling script. 1917, however, delivers a moving, albeit simple story elevated by powerful acting and a gorgeous score. 

     Roger Deakin's cinematography is, quite predictably, the highlight of the picture. Taking inspiration from Alfonso Cuaron (Children of Men), he efficiently ushers the audience through a moving, breathing, terrifying landscape inhabited by men who are firmly grasping to what fragile life they have left. It sweeps and shudders, somehow managing to avoid a gimmicky feel or predictable action. The exposition is slightly overlong and dry due to the limits of the "one-shot" technique, but the set design and camera work are interesting enough to carry most early scenes.

     All of the elements mesh in the final half with electric results, and results in a solid Best Picture contender for an already stellar year for film.

8.5/10

Stanton Pruitt